Beyond classrooms

For this exercise, interior students students engaged with a rather infantalised stakeholder group, children, understood their wants and desires, and designed their play house with them. The aim here was to enable students to acknowledge the capacity for knowledge production across all stakeholders and hence, altering and criticalise any top-down approaches that they have developed towards design practice.
Course: Critical Thinking and Problem Solving
Programme: Bachelor of Design (Interior Design)

Captured with permission from those in pictures.

Courses Taught

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Crip feminist pedagogy

I also practice crip feminist pedagogy that values students labour with structures developed to crip a rather rest-deprived neo-liberal academic spaces. I scaffold both rest and productivity in the course outline, making their experience of the course generative. What this looks like is a combination of in-class (using lab and tutorial hours) and outside class assignments so the class hour is not only restricted for the pedagogue’s monologue. This also looks like taking pauses, bio-breaks or how do you feel sketches for classes that are more than 1.5 hours long. More innovatively, it looks like combining multi-media forms that slow down the course to provide time to reflect on course offerings.

Emplacing and embodying knowledge

An axis that guides my approach to knowledge production in classrooms is emplacement. Emplacement, based on the work of sensory anthropologist Sarah Pink, involves attunement to place and body in the process of knowledge production. In one such engagement with emplaced knowledge production, students worked on environmental injustice report detailing environmental harms faced by communities, in their body-minds, during their weekend away from their usual residency at the university.

Environmental inJustice Report
Course: Environmental Studies
Programme: Bachelor of Design (Foundation)

Reproduced with permission from creator Suhana Shaik.

In another assignment for environmental studies class, students unpacked the lifecycle of a material (e.g. clay, bamboo, dye, …) they had used for their design assignments. The exercise enables students to witness the materiality of design process and its ecological aspects.

Reproduced with permission from one of the creators Suhana Shaik.